What Is Ceramic Glaze Made Of? The Three Ingredients
Every ceramic glaze is silica, a flux and alumina, plus colourants. Here is what each part does, where it comes from, and why glazes only work in a narrow range.
9 posts filed under firing.
Every ceramic glaze is silica, a flux and alumina, plus colourants. Here is what each part does, where it comes from, and why glazes only work in a narrow range.
Dipping, pouring and brushing glaze onto bisque ware, with the preparation and thickness checks that decide whether the result is even or patchy.
Most cracks are made during drying, not making or firing. Control airflow, keep bases and rims at similar rates, and slow the whole thing down.
Low fire clay matures around cone 06 to 02, roughly 1000 to 1100 C. It stays porous, takes bright colour, and depends on its glaze to hold liquid.
Pit firing, a barrel, a raku setup or a paid community firing. Here is what each method can and cannot do, and why an oven is not one of the options.
Cone 6 mid-fire and cone 10 high-fire produce different colours, different costs and different equipment needs. Here is how to choose and what changes.
Clay bodies differ in firing range, porosity, grog content and how forgiving they are. Here is how to pick one for what you actually make.
Crawling is a glaze pulling away from the clay into beads and bare patches. Almost always it is contamination, dust, or a glaze layer applied too thick.
Every pottery instruction depends on the clay being at the right stage. Here is how to identify each one by feel and what you can and cannot do at each.